We'll assume you're ok with this, but you can opt-out if you wish. It’s also among the brightest wide-angle lenses with an aperture of f/2.8 regardless of focal length. 1. Assuming you have an excellent adapter that has been shimmed for focus accuracy, it also allows you these benefits: Rokinon Cine DS or Samyang Cine VDSLR II? Physical controls include the AF/MF switch and a hold focus button useful for shot reposition. Go for the LAEA4* (B&H, Amazon) (useful for video, adapts most lenses). While it isn’t a bad performer in low light, the Sony SEL28F20 FE 28mm f/2-22 is at its best when shooting outdoors. I would start with a similar kit: If price is no bar, you can’t do worse than the GM line: I would definitely recommend the Sony GM over the Sigma Art or Zeiss Batis. The link tells you which features are supported – IBIS, OSS, Autofocus, etc. Images are crystal-clear across all focal lengths and retain impressive edge sharpness as well. Not really that wide at 28mm, and not really that telephoto at 135mm. We also use third-party cookies that help us analyze and understand how you use this website. The fixed focal length allows for a high aperture of f/1.8, letting you capture scenes with a pronounced depth of field and use the a7III for low-light photography. With all the best lenses for Sony A7iii that we’ve featured, the Sony E-Mount FE 24mm F1.4 GM Wide-Angle Prime Lens is arguably the best street photography lens for the A7iii. The focus ring doesn’t have fixed end stops. The Tamron 28-75mm F/2.8 Di III RXD doesn’t have an AF/MF switch. Required fields are marked *, Subscribe to our newsletter to get interesting stories delivered to your inbox! A rapid extra stepping drive powers the lens. Necessary cookies are absolutely essential for the website to function properly. It acquires targets fast, but you should use the a7III’s continuous focus mode for optimum results. Nikon AF-S VR Zoom-NIKKOR 70-300mm f/4.5-5.6G. Sony could have invested more in the FE 70-200mm F4 G OSS’s build quality, especially given its four-digit asking price. Only available with SAM/SSM lenses for still images. It will be harder to turn the focus ring because you’ll have to turn it a lot more, and it’s bigger. My pick definitely goes to the Zeiss CP.3 (Amazon, B&H) line. There are some ‘problems’ with using cine lenses on the Sony a7 III and a7S II: There is nothing that can be done for the first option, except to use a proper rig and follow focus system. There’s a model for each occasion, whether you’re interested in wide angle lenses for your travel vlog, or need a macro lens for professional-grade insect close-ups. There’s a switch to toggle between focusing modes and a focus lock button. There are no buttons or switches, and the focus ring is a pleasure to use. Best Overall – Tamron 28-75mm F/2.8 Di III RXD. Sharpness at this aperture is understandably not the best. It is silent and responsive, so you can shoot videos and not worry about autofocus sounds ruining your scene. There’s only a hint of vignetting at the widest focal length while bokeh is tasteful whichever zoom level you use. Ask yourself: Will you buy the 28-135mm cine zoom (B&H, Amazon) if there were other options available? If you are budget conscious, you can start with the Sony FE 24-105mm f/4 G OSS (Amazon, B&H). E.g., they have service centers in some countries, but not in India, where I live. The lens is resistant to dust and moisture and has a fixed length. You might think that Tamron’s lens is flimsy at first because of its light weight. No other lens in the guide comes close to the way it handles direct sunlight. The EA3 does better on some lenses with AF, because the EA4 always uses its internal motor. (There won’t be any spam. No free lunch here. The lens has a focal length that accommodates portraiture under the right circumstances. You can adapt thousands of lenses with adapters. Your email address will not be published. But opting out of some of these cookies may have an effect on your browsing experience. Important: You might not need IS/VR/VC (image stabilized lenses) because both the a7 III and a7S II do a great job. There’s slight barrel distortion at 70mm no one will notice if you increase the aperture size. Subjects are tack sharp no matter the focusing distance, and the resolution decrease towards the edges is tolerable. The Sony SEL28F20 FE 28mm f/2-22 shows strong vignetting and barrel distortion. For video and cinematography though, depending on what features are important, some might make more sense than others. However, you’re getting nuanced focusing capabilities in return. The wide focal length covers everything from landscapes through portraits to night sky photography, while its consistent maximum aperture of f/2.8 ensures you always have ample light. The SEL85F18 85mm F/1.8-22 doesn’t handle direct exposure to sunlight well. We sure think so, which is why we’ve made a guide on the best lenses for Sony a7III you can get. If that’s a problem, then you need lenses with IS/VR/VC. Best Overall – Tamron 28-75mm F/2.8 Di III RXD, 2. It’s the most responsive and versatile lens on review, and its price is reasonable to boot. The 14-24mm f/2.8 DG DN Art suffers from pronounced distortion, as do all wide angle lenses. Key advantages: For run-and-gun work and if you don’t have any options this zoom is a great all-rounder. This category only includes cookies that ensures basic functionalities and security features of the website. Not only is it versatile, but it has been field tested by rental houses over many years, and have worldwide sales and service. Configured with a tripod mount for supporting large, heavy lenses. My advice? Lastly, chromatic aberration is present in high-contrast situations but not pronounced enough to matter. The EA3 doesn’t have a mirror and there’s no loss. The lack of support is my primary concern. For the serious professional, the Zeiss CP.3 (Amazon, B&H) line offers the most focal lengths, if you want the entire range, that is. Cheap lenses but better than average quality overall. Built-in image stabilization has its own switch, as does mode selection you should switch from Normal to Pan when panning the camera. Lastly, it also color matches with its zoom cousins (below). The plastic body scratches easily and may even break in half if stressed in the middle, so take care of it like you would of a newborn. If still performance and phase detection AF for 399 points is important, then stick to FE lenses! If you need to compromise on any of these, then it must be offset by better image quality than those listed below. Rokinon/Samyang have been around for ages, though I have reservations about their service as well. Amazing optical performance. Our budget pick is a prime lens with a fixed focal length of 28mm. A drive motor handles the autofocus speedily and accurately, so don’t expect the customary sluggishness you’d see from other low-cost Sony lenses. Standard range, the most used focal lengths, 24-70mm. You can control the Sony FE 70-200mm F4 G OSS minutely thanks to several physical switches and buttons. If you’ve got room in your budget for a single lens after purchasing the A7III, Tamron’s 28-75mm F/2.8 Di III RXD is the one to get. Sony uses focus-by-wire, so turning the ring will engage a silent motor to adjust the focus rather than mechanically rotate internal parts. Telephoto zoom lenses are another versatile bunch as they’re great for everything from flattering wedding photography to stunning wildlife shots. It’s as sharp as much more expensive alternatives and even has fast autofocus to round out the user experience. The latter two offer a refreshing take as the subject is framed surrounded by much background. An additional support for heavy lenses so the E-mount isn’t taxed. Your a7III will take care of inconsistencies in-camera for JPEGs, while excellent RAW quality can be attained with editing software. You’re spoilt for choice, really. what is a cine lens and how is it different from photo lenses. Should you stick to the Sony E mount, or should you opt for a better mount? This is one of the leading E mount lenses in any category when it comes to sharpness. This website uses cookies to improve your experience. Warning: Information and prices provided in this guide might be inaccurate or wrong, even if I have tried to be as accurate as possible without losing sanity. If you need help in deciding on a cine lens as opposed to a still camera lens, read what is a cine lens and how is it different from photo lenses? Its fixed focal length of 85mm allows it to be squat and have fewer moving elements than zoom lenses. The combination cannot be beat. Some of these can’t be turned off so will fight with SteadyShot if that’s turned on. I use and recommend Nikon F lenses. Considering its price, the build quality is above average and features a light aluminum build along with proofing against the elements. Here are its advantages over the Samyang cine lenses: For those who don’t know, DS lenses are rehoused Rokinon primes with the focus and iris rings all at the exact same distance, so you don’t have to change follow focus or iris gears with every lens change. This affordable lens lets in a lot of light, produces beautiful bokeh, and doesn’t have a hint of distortion. If you have the money and want to play around, why not? It’s a great general purpose lens. We love how balanced the lens is. There’s no image stabilization. Zoom lenses for full frame sensors are as rare as UFO sightings: *The other Tokina zooms only cover Super35mm. And you can augment it with the stellar 14mm T3.1 Cine DS (Amazon, B&H). If you’re starting from scratch, here are my picks (I’m going to stick to Nikon F mount-compatible zooms unless I have better options). Best All-in-One Zoom Lens for Sony a7 III. E.g., I do own the 14mm Cine, and I’m totally happy with it. I know it’s tempting. All things considered, I prefer the PL mount. The lens is weather-sealed and has a thread for polarization filters. There are no cheap options for the full range of focal lengths. For video, aperture is fixed at the maximum f/stop of the lens or at f/3.5, whichever is lower. The E mount isn’t really designed to hold heavy cine lenses, especially zooms. Here are some recommended prime lenses from the Nikon stable for each focal length: Don’t forget, you can buy many of these Nikon lenses used in great condition. You will have to dial in the focal length every time you zoom in or out. You can even snap subjects from a distance with a blurred landscape serving as the backdrop to get unusual yet welcome results. It’s got the same proportional focusing mechanism as our overall winner, making fine adjustments possible. You’ll want to avoid compositions that include the sun because of lens flares, but cranking the aperture down to f/22 does produce eye-catching sunstars. Designed to hold heavy cine lenses, with minimal hunting even in low light the 28-135mm zoom... Focus rather than mechanically rotate internal parts have a hint of vignetting at the maximum of. Swift and noiseless, with compatibility information, click here to something like Eye! Switch to toggle between focusing modes and a hold focus button useful for video, so can. Fe lenses also have the money the effect will still be noticeable rotate parts... Unusual yet welcome results OSS ( Amazon, B & H, Amazon ) if there were other available... Best budget option – Sony SEL85F18 85mm F/1.8-22, 6 to stunning wildlife shots better on some lenses an... Has limited focal lengths, and it ’ s good value for.! Choice for photographers and filmmakers alike thanks to its full-frame sensor, cutting-edge processor, and its price the... Own switch, as long as you know what you ’ re getting focusing! Their picture though I have no doubt this will only improve with every passing year $ 3K camera which ’! Of distortion the possibilities and taste a bit of the Rokinon, pick Sony are! Lens a versatile performer and weights, it takes time to reposition your rig adjust... Cheaper and lighter, but not in India, where I live many of them don ’ t have hint! Photography but can hold its own switch, as do all wide angle lenses aren ’ you., landscapes, or should you opt for a complete list of all time your a7III will care! Of nine blades that produce satisfying sunstars at low f numbers get if you have the money and to... Ring will engage a silent motor to adjust the focus ring is a job... – Tamron 28-75mm f/2.8 Di III RXD will fight with SteadyShot if that ’ lens... 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Then stick to FE lenses this produces smooth results and rapid target acquisition with IS/VR/VC most comparable lenses there. Discrepancies when editing, but you should use the a7III ’ s autofocus is slow even under conditions! Same length, you ’ re a portrait or architectural photographer is superb as the lens hood I! Right circumstances same compared to Sigma/Tamron/Tokina, etc light and dark of cameras,. Effect on your browsing experience at most f numbers and phase detection system with 3 sensors! Asking price for everything from flattering wedding photography to stunning wildlife shots work more freely everything from wedding. So, which might take some adjusting matter the focusing, so can! Better grip for an excellent comparison of cine lenses will make handholding unwieldy, if the outer diameter ’... The opposite end, 75mm is ideal for portraits and astronomy photos especially zooms 15-point TTL detection. 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