XIV, Countermotive, Measures 1-3 IX, Rhythmic Pattern, Measures 1-2 . 10 (-) - !N/!N/!N - 2880×⇩ - Gbirchley, PDF typeset by arranger This is an elision cadence. -  Prelude and Fugue in A major, BWV 888 [commons]. [1] The collection is generally regarded as being among the most important works in the history of classical music.[2]. 8 in F Major - Imitative & Harmonic Analysis June 2020 Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. Bach gave the title Das Wohltemperirte Clavier to a book of preludes and fugues in all 24 major and minor keys, dated 1722, composed "for the profit and use of musical youth desirous of learning, and especially for the pastime of those already skilled in this study". Prelude and Fugue in B-flat major, BWV 890 [commons]. The 9 Canons of the Goldberg Variations, BWV 988 {Smith | Naxos} ... Use of Canon in the 15 Two-Part Inventions. Modern editions usually refer to both parts as The Well-Tempered Clavier, Book I (WTC I) and The Well-Tempered Clavier, Book II (WTC II), respectively. 4 0.0/10 The structure of the first 11 bars is a classic example of Shoenberg's "musical sentence." 28, inspired by the Well-Tempered Clavier. 15: Prelude and Fugue in G major, BWV 884, No. Prelude also in WFB Klavierbüchlein, No. 6 4 Invention No. pp. (-) - !N/!N/!N - 659×⇩ - MID - Reccmo, MID file (audio/video) 5: Prelude and Fugue in D major, BWV 874, No. 1 in C Major, WTC I, BWV 846. Book I preludes in C minor, D major, and B♭ major). The first occurrence of this pattern drove the piece to the dominant, however, this instance functions to drive the piece to the tonic, and to the final perfect authentic cadence. 8 Prelude and Fugue in C-sharp minor, BWV 873. Allemande from Partita No. Prelude and Fugue in F-sharp major, BWV 858 [commons]. The sentence is henceforth lengthened with 3 measures of harmonic acceleration that drives the piece to a G Major chord (the secondary dominant of C) and a modulation into the dominant key of C Major. 8 10 Bach knew the collection and borrowed some of the themes from Fischer for the Well-Tempered Clavier. Another expansive idea is the descending arpeggio pattern, introduced in measure 21. The remainder of the piece, m26-34 is identical to m4-12 in rhythm and pattern. It begins with the presentation. [55] Such harpsichord performances may, for instance, be tuned in equal temperament,[56] or in Werckmeister temperament. Prelude and Fugue in C-sharp major, BWV 848. 14 in Bb Major, BWV 785, Prelude No. 2 The fugue was transposed from D minor to D♯ minor. Accounts of Bach's own tuning practice are few and inexact. -  0.0/10 [15], It was long believed that Bach had taken the title The Well-Tempered Clavier from a similarly-named set of 24 Preludes and Fugues in all the keys, for which a manuscript dated 1689 was found in the library of the Brussels Conservatoire. Prelude and Fugue in G major, BWV 860 [commons]. Musically, the structural regularities of the Well-Tempered Clavier encompass an extraordinarily wide range of styles, more so than most pieces in the literature. Since 1950 there have been many other proposals and many performances of the work in different and unequal tunings, some derived from historical sources, some by modern authors. 0.0/10 Prelude in E-flat minor and Fugue in D-sharp minor, BWV 853 [commons]. X, Motive, Measures 1-2 . Das Wohltemperirte Clavier oder Præludia, und Fugen durch alle Tone und Semitonia, so wohl tertiam majorem oder Ut Re Mi anlangend, als auch tertiam minorem oder Re Mi Fa betreffend. Prelude and Fugue in E minor, BWV 879 [commons]. 2 Bach: 2-Part Invention no. 401–407. . 2 in C Minor, BWV 826, Invention No. Prelude and Fugue in D major, BWV 850 [de; commons]. 6 8 Throughout this presentation, the voices create an imitative canon as each measure-long phrase is repeated successively between the two clefs. Any performance of this pair would have required both of these enharmonic keys to sound identically tuned, thus implying equal temperament in the one pair, as the entire work implies as a whole. (-) - V/V/V - 44806×⇩ - Kryalot, PDF scanned by Unknown 18: "Praeludium 5"). [2], All Sinfonia performances above were played by, Klavierbüchlein für Wilhelm Friedemann Bach, International Music Score Library Project, Mutopia's editions of Bach's Inventions and Sinfonias, History and analysis of Bach's inventions, Graphical Motif Extraction of the Inventions and Sinfonias, Toccata and Fugue in D minor ("Dorian"), BWV 538, Fantasia and Fugue in G minor ("Great"), BWV 542, Prelude and Fugue in E minor ("Wedge"), BWV 548, Eight Short Preludes and Fugues, BWV 553–560, Toccata, Adagio and Fugue in C major, BWV 564, Prelude (Toccata) and Fugue in E major, BWV 566, Fantasia ("Pièce d'Orgue") in G major, BWV 572, Passacaglia and Fugue in C minor, BWV 582, Canonic Variations on "Vom Himmel hoch da komm' ich her", BWV 769, Capriccio on the departure of a beloved brother, Concerto transcriptions, BWV 592–596 and 972–987, List of compositions by Johann Sebastian Bach, List of fugal works by Johann Sebastian Bach, List of concertos by Johann Sebastian Bach, https://en.wikipedia.org/w/index.php?title=Inventions_and_Sinfonias_(Bach)&oldid=980676318, Compositions covering all major and/or minor keys, All articles that may contain original research, Articles that may contain original research from October 2015, Articles with International Music Score Library Project links, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 27 September 2020, at 20:35.