As of 2008, the Jaguar Bass comes in Olympic White and three-colour Sunburst finishes, together with a four-ply brown tortoise shell pickguard. Models manufactured prior to 2003 (formerly known as American Classics) were identical to the mid-1990s American Deluxe basses in appearance, excepting the 22-fret bound maple neck featuring a rosewood fretboard and white block inlays. In 2005, Fender introduced the Fender Jaguar Bass, as of 2008 available in Hot Rod Red, Olympic White, Sunburst and Black finishes, with a three-ply white or tortoise pickguard. [citation needed]. The ability to blend the volume of both pickups allows for a wider variety of tones than the Precision Bass can produce. The sound of the Fender Jazz Bass has been fundamental in the development of signature sounds in certain musical genres, such as funk, disco, reggae, blues, progressive rock, heavy metal and jazz fusion. "There's never been a bass that sounds like that bass.". Usually known as "Boner" Jazz Basses, these early American Standard models (designed by George Blanda, who was Fender's senior R&D engineer during that period) were discontinued in 1994 and shouldn't be confused with the Fender Jazz Bass Plus, which has the same 22-fret neck design, but utilizes a different (downsized) body styling, Lace Sensor pickups, Schaller "Elite" fine-tuner bridge on the four-string model or Gotoh high-mass bridge on the 5-string model, and Phil Kubicki-designed active electronics. The Jazz Plus debuted in 1989 (the five-string model was released in 1990), discontinued in 1994 and replaced by the USA Deluxe Series Jazz Bass the following year. American Standard Jazz Basses produced between 1989 and 1994​1⁄2 featured a larger body shape, a 'curved' neck plate set into a chambered pocket for greater sustain and a 22-fret neck, similar to that of a Precision Bass Plus, with a standard vintage-style top-load bridge, two separate volumes and a master TBX tone circuit. This gave the bass a stronger treble sound to compete with the Rickenbacker bass, which had been introduced in 1957 and was famously "bright". During 1965/66 the Jazz Bass received bound rosewood fingerboards with pearloid dot position inlays (which replaced the older "clay"-style of the early 1960s) and oval-shaped tuning machines. The American Deluxe series was discontinued in 2016. The cover is still available however as an after-market option for players who like the "hollow" quality that sub-feedback-level resonance contributes to the "vintage" sound. In 2017 Fender switched to pao ferro fingerboards before discontinuing the Standard series in 2018. Usually known as "Boner" Jazz Basses, these early American Standard models (designed by George Blanda, who was Fender's senior R&D engineer during that period) were discontinued in 1994 and shouldn't be confused with the Fender Jazz Bass Plus, which has the same 22-fret neck design, but utilizes a different (downsized) body styling, Lace Sensor pickups, Schaller "Elite" fine-tuner bridge on the four-string model or Gotoh Hardware high-mass bridge on the 5-string model, and Phil Kubicki-designed active electronics. Over the following years as the use of mutes gradually declined both the Precision and Jazz Bass models eventually began to be produced without bridge/tailpiece covers. Fender has designed signature Jazz Bass models for notable players including: Roscoe Beck, Mark Hoppus,[7] Geddy Lee,[8] Jaco Pastorius,[9] Adam Clayton,[10] Noel Redding,[11] Flea, and Marcus Miller. Having both pickups cranked up at full volume produces the classic scooped, "growling" sound which many players—such as Marcus Miller and Will Lee—use for slap bass playing. Unlike the Fender Precision Bass Plus, which had an optional maple neck, the Boner Jazz Bass was offered only with a rosewood fingerboard. Having both pickups cranked up at full volume produces the classic scooped, "growling" sound which many players—such as Marcus Miller and Will Lee—use for slap bass playing. Features include an oversized select alder or premium ash body, a modern 34"-scale C-shape maple neck with an unbound rosewood, pau ferro or maple fingerboard featuring triangular pearloid block inlays and 21 medium-jumbo frets. The original intention was to encourage upright-bass players to switch to electric bass. Fender also offers several models of the Jaguar Bass in the Squier line (and an American Standard version since 2014), most with a Precision/Jazz "P-J" pickup configuration. Bound fingerboards with pearloid block inlays were added with the introduction of the American Deluxe Jazz Bass FMT & QMT in late 2001, featuring flamed or quilted maple tops and gold-plated hardware. The Jazz Bass (or J Bass) is the second model of electric bass created by Leo Fender. In 1986 Fender introduced the Japanese-made Fender Performer Bass, also with micro-tilt neck, designed by John Page and intended to be an Elite version of the Jazz Bass, however the radical styling was not popular and production ceased the same year. The bridge pickup gives a tone with more treble, while the neck pickup will yield a rounder sound. American Deluxes produced between 1995 and 1999 were initially available with "single-pole" pickups designed by John Suhr. Because of this, many bass players who want to be more "forward" in the mix (including smaller bands such as power trios) prefer the Jazz Bass. The Jazz Bass (or J Bass) is the second model of electric bass created by Leo Fender. They came with 22 frets, abalone dot position inlays and an 18-volt power supply on some models. It was available in the Fender price list as part of the Deluxe Series line, with Cherry Sunburst (discontinued as of 2007) and Tobacco Sunburst finishes over a quilted maple top and chrome-plated hardware. The Jazz Bass has two single coil pickups with two pole pieces per string. The five-string version (introduced in 1992), available with pao ferro or rosewood fingerboard and a five-in-line tuner configuration with Gotoh Mini machineheads (c. 2006), has been updated with a tinted maple neck featuring a dark rosewood fingerboard and a 4+1 tuner configuration with Fender/Ping tuning machines as of 2009. Fender discontinued the five-string version in 2009. The asymmetrical five-bolt neck plate, along with the smooth contoured heel allow much easier access to the upper registers. The American Deluxe Jazz Bass (available in four-string fretted and fretless, five-string fretted and left-hand versions) featured two Samarium Cobalt Noiseless Jazz Bass pickups, designed by pickup designer Bill Lawrence. The bridge pickup gives a tone with more treble, while the neck pickup will yield a rounder sound. The Custom Classic model was made at the Fender Custom Shop. In December 5, 2008, the Standard J-Bass has given CBS era-style decals, a three-ply parchment pickguard and a tinted maple neck with rosewood or maple fingerboard (also available in a fretless version with a rosewood fingerboard and 20 inlaid white fretline markers). In 2008, Fender offered both the four- and five-string versions of the 24-fret Jazz Bass in a stealthy Flat Black finish (with matching headstocks and hardware). Pickups are RWRP (reverse wound, reverse polarity) from one another, so all hum will be canceled when both pickups are at full volume. The five-string version (introduced in 1992), available with pau ferro or rosewood fingerboard and a five-in-line tuner configuration with Gotoh Mini machineheads (c. 2006), has been updated with a tinted maple neck featuring a dark rosewood fingerboard and a 4+1 tuner configuration with Fender/Ping tuning machines as of 2009. This article is about the Fender model of bass guitar. A Mexican-made Standard Series J-Bass from 2009 with a black finish and a tinted maple neck with rosewood fingerboard. The Highway One Jazz Bass is a moderately priced American-made bass introduced in 2003, featuring a Leo Quan BadAss II bridge with grooved saddles, Posiflex graphite neck support rods, 1970s styling and a Greasebucket tone circuit since 2006. Fender switched to pearloid blocks/binding on all necks in mid-to-late 1973. This is similar to what happens on some guitars when one blends the sounds from two different pickups, such as the Fender Stratocaster. Bound fingerboards with pearloid block inlays were added with the introduction of the American Deluxe Jazz Bass FMT & QMT in late 2001, featuring flamed or quilted maple tops and gold-plated hardware. Some "Deluxe" Jazz Bass models feature an active pre-amp (usually with three bands of equalization) in place of a single passive tone control, these basses have three separate equalizer controls: bass and treble responses are controlled by the base and top of a stacked double pot, while midrange is controlled by a second knob. It was renamed the Jazz Bass as Fender felt that its redesigned neck—narrower and more rounded than that of the Precision Bass—would appeal more to jazz musicians. First introduced in 1960 as the Deluxe Model, it borrowed design elements from the Jazzmaster guitar . In 2012, Fender also introduced the Reverse Jaguar Bass in its line of Pawn Shop Series guitars. The two pickups are built to be opposite from each other in both magnetic polarity and electrical phase, so that when heard together, hum is cancelled—the humbucking effect. Bassists have loved the signature Geddy Lee Jazz Bass for years. Two other changes that were more important to the tone of the instrument also occurred in the early 1970's. A number of cosmetic changes were made to the instrument when CBS purchased the Fender companies in 1965. Other refinements include a strings-through-body/top-load bridge, Posiflex graphite neck support rods, rolled fingerboard edges, highly detailed nut and fret work. The Custom Classic model was made at the Fender Custom Shop. This special issue features a reversed body stock orientation, and also reverses the humbucking pickups for a unique tone. First introduced in 1960 as the Deluxe Model, it was marketed as a stablemate to the Jazzmaster guitar which was also marketed as a Deluxe Model in its own right. Many players believe that this change contributed to a somewhat brighter tone from the bridge pickup. The purpose of those mutes was to dampen the overtones and the sustain, and were screwed in place between the bridge and aft pickup. The two pickups are built to be opposite from each other in both magnetic polarity and electrical phase, so that when heard together, hum is cancelled—the humbucking effect. The Jazz Plus Bass was available with an alder body and the option of a natural-finish ash body on the four-string model for a $100 upcharge, either a maple or rosewood fretboard on the four-string and pau ferro (an exotic hardwood whose tone is brighter than rosewood yet warmer than ebony) on the five-string. The 5-string version was introduced in 2007. They came with 22 frets, abalone dot position inlays and an 18-volt power supply on some models. In 2008, Fender introduced the fretted and fretless Steve Bailey signature models, its first six-string Jazz Basses to feature a 9.5" to 14" compound-radius ebony fingerboard. Another feature the initial models had were the "Spring Felt Mutes", which were present on basses from 1960 until 1962. Those felt mutes weren't a tremendous success, and were replaced by a cheaper, more simple foam mute glued underneath the bridge cover as was used by the Precision Bass from 1963 onwards. Over the following years as the use of mutes gradually declined both the Precision and Jazz Bass models eventually began to be produced without bridge/tailpiece covers. This sound is the product of certain frequencies from both pickups being out of phase and cancelling each other, leaving a "scoop" on the midrange. In 2008, Fender introduced the fretted and fretless Steve Bailey signature models, its first six-string Jazz Basses to feature a 9.5" to 14" compound-radius ebony fingerboard. 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